In the industrial heart of Northamptonshire, the town of Corby is known for its steel heritage and a unique Scottish influence. Yet, it also served as the childhood home for a man who would eventually redefine the national identity of a country over a thousand miles away. Mārtiņš Rītiņš, the chef who taught Latvia how to eat again after the fall of the Soviet Union, is now the subject of a major new production at the Liepāja Theater.
Directed by Inga Ungure, the play titled “Kas var būt labāks par šo?” (What Could Be Better Than This?)—a nod to Rītiņš’s famous television catchphrase—is set to premiere on May 23. For the British reader, Rītiņš represents a fascinating cultural bridge: a son of Latvian refugees, born in a camp and raised in the iron-ore mining town of Corby, who returned to his ancestral home in 1991 at the age of 42 to lead a culinary revolution.
A Bridge Between Two Worlds
When Rītiņš arrived in Riga in the early 1990s, the Latvian food scene was still shaking off the grey uniformity of the Soviet era. He brought with him an international palate honed in the kitchens of Canada, Jamaica, and Saudi Arabia, but his formative years in England remained a core part of his identity. To his mother, he was a mischievous boy; to the staff at his world-renowned restaurant Vincents, he was a formidable boss; and to his closest friends, he was affectionately known as “the old crab.”
His impact on the Baltic region was comparable to that of Keith Floyd or Jamie Oliver in the UK. He didn’t just share recipes; he introduced ingredients that were previously unknown or long-forgotten, and he did so with a provocateur’s wit. He famously taught Latvians how to find a salmon in the fridge even when they thought there was nothing in the house, championing the “Slow Food” movement long before it became a global trend.
More Than a Biography: A Sensory Journey
The creative team at Liepāja Theater, including dramaturg Laila Burāne, has been clear that this production is not a traditional documentary or a dry biographical retelling. Instead, it is an artistic interpretation of a life lived at full volume. The script was developed through extensive research, including interviews with those who knew him, archival footage of his cooking shows, and the memoirs De Profundis by Linda Apse and A Cookbook for Mārtiņš by Astrīde Rozīte.
“I am fascinated by people of ideas who burn so brightly for something,” says director Inga Ungure. “Mārtiņš, with his sense of taste, was so carried away that he carried so many others with him. Of course, like all people, he wasn’t one-dimensional; he was a full-blooded human with his own ‘cockroaches’ or ‘crows’—his own eccentricities.”

The play is described as a “flavor journey” with stops at significant milestones in Rītiņš’s life. It explores the various roles food plays in society, from a mother’s milk to high-stakes political banquets for world leaders. The production uses a vivid, theatrical language to capture the essence of a man who was constantly searching for the next peak, always asking what could be better than the present moment.
Performance Details and Legacy
The ensemble cast includes Rolands Beķeris, Gatis Maliks, and Agnese Jēkabsone, among others. The visual world of the play is crafted by set designer Austra Sniķere and costume designer Berta Vilipsone-Ieleja, with a musical score by Edgars Raginskis that aims to evoke the restless energy of Rītiņš’s career.
For those following the cultural landscape of the Baltics, this production is a significant moment of reflection on the post-independence era. Rītiņš passed away in 2022, leaving behind a legacy that transformed the hospitality industry in Northern Europe. This play serves as both a tribute to his British-Latvian roots and a study of how one individual’s passion can change the cultural fabric of a nation.
Performances are scheduled for May 23, 24, and 30 at the Liepāja Theater. The performance on May 24 will be followed by a special Q&A session with the creative team, offering deeper insight into the process of translating a culinary life onto the stage.
Original reporting by: liepaja
Source: Liepājas valstspilsētas pašvaldība

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